writing advice
writing advice

writing advice

How to Avoid Cliched Phrases

Cliches are sneaky little things. The commonness that makes them cliches also makes them hard to spot; we use them so often in our normal life, we write them without thinking. “It was raining cats and dogs.” “He was bored stiff.” “I’m down in the dumps.” They are all descriptive and everyone will know what you mean, but use them too often and readers will eventually be bored with your prose. I’d rather have someone hate my book than be bored by it. Here’s some simple methods to remove cliches from your writing. 1. Use strong words Cliche phrases are...

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Not F*cking Up Sex Scenes: Making Love Make Sense

If your sex scene isn’t integral to the plot, then you’re not doing it right. Maybe you’ve heard that sex is just supposed to happen every fifty or a hundred pages. Wrong. Even if what you’re writing is erotic romance, the moment needs to be right, and something should happen to move the characters along or the scene will fall flat and feel gratuitous. The most important thing about writing a sex scene is remembering that it is, in fact, a scene like any other in your novel.  That means that all the same rules apply. When writing sex, you...

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Using the Appropriate Amount of Realism in Your Writing

Like everything else in writing, the appropriate amount of realism is going to be very genre dependent. If you’re writing a gritty crime story, you’re going to want a lot of it; a fairy tale romance, maybe not so much. But how do you decide how much realism is right for your story, and how do you go about putting it in (or taking it out)? Let’s start with some examples. The first is from a story I was critiquing that was written by a very good writer. And one of the things this writer does extremely well is write...

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How to Know When Its Done

At some point, after all the writing and revising, your book will be done. Unfortunately, no one knows when that will be. Every author has to figure that out for themselves—and sometimes figure it out anew with each new book. It is more of an art than a science, but I will try to help you with what I know about when to pull the trigger and publish the thing. Most of us know what a first draft looks like. Some are sloppier than others, but most have flaws of some sort in the structure or the prose. Sections might...

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Worldbuilding: How Much is too Much?

There is no such thing as too much worldbuilding. The greater the depth of the author’s knowledge of the setting of their book, the better. There is no detail too small or universe too big to be fully fleshed out in the author’s mind—or more likely, in extensive notes, maps, timelines, character bios, Plottr portfolios, and whatever else the often chaotic mind of the author chooses to store this information in. Unless you put it all in the text of your book. Hemingway said, “The dignity of movement of an iceberg is due to only one-eighth of it being above...

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Em Dashes, Semicolons, and Other Less Used Punctuation

Once you get past the basics, punctuation starts to get weird. That’s because a lot of the less used punctuation are more about personal preference than prescribed usage. Even the basics can be this way; commas can often be placed or removed without violating any grammar rules or affecting comprehension. But that doesn’t mean they’re not important. All punctuation helps give your writing rhythm, give it a voice unique to you. And the odd ones even more so, as they are distinctive yet often overlap in meaning so that the choice of which one to use is esthetic rather than...

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The Hero’s Journey

The Hero’s Journey is a story structure based on Joseph Campbell’s seminal work, The Hero with a Thousand Faces, where he lays out the commonalities to stories, myths, and legends that have been told for thousands of years. The structure works because of that: there is something in the structures and archetypes contained in the Hero’s Journey that continue to resonate, even in the modern mind. 50,000 years is an evolutionary eyeblink; we are not so different from our ancestors who told these tales around the life-giving fire, or scrawled them in pictograms on cave walls. Campbell’s work was adapted...

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Genres for the Independent Author

Genres are a fascinating part of the writing profession. They mean nothing and everything; they are both limiting and freeing; they are arbiters and arbitrary in near equal measures. I began my career as a traditional author. As such, genres were the purview of publishers and booksellers. I wrote the book and then they told me what genre it was in. That didn’t mean I didn’t know what genre my books were in; it just meant I didn’t care if they decided it was something different. It was their job to sell those books, and if they thought it would...

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Signaling Your Genre from the Start

If you’re an independent author, you’ve probably done a lot of work on your title, blurb, and cover. Don’t screw it all up with the first line of your book. When a person picks up your book, or uses the look inside feature on Amazon or other sites, they’re going to read the first few lines of your book. It’s likely the final thing they’ll look at before buying your book. So, not only does it have to be a good intro into your book, it also has to not screw up the sale. But how do you do that?...

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